Korg TouchView Trinity ProX User Manual

1E

Overview 6 If you have inserted Insert Effects, the Send 1 and 2 parameters of P7 in Program Edit mode will become effective (those of P5 will be ign

34: Pitch Shifter9634: Pitch ShifterThis effect changes the pitch of the input signal. You can select from three types: Fast (quick response), Medium,

34: Pitch Shifter97size2c: Pitch Shift [1/2tone]c: Srcc: Amtd: Fine [cent]d: AmtThe amount of pitch shift will use the value of the Pitch Shift plus t

35: Pitch Shift Mod. (Pitch Shift Modulation)9835: Pitch Shift Mod. (Pitch Shift Modulation)This effect modulates the detuned pitch shift amount using

35: Pitch Shift Mod. (Pitch Shift Modulation)99size2e: Panf: Wet/DryThe Pan parameter pans the effect sound and dry sound to the left and right. With

36: Rotary Speaker10036: Rotary SpeakerThis effect simulates a rotary speaker, and obtains a more realistic sound by simulating the rotor in the low r

36: Rotary Speaker101size2a: Sw This parameter sets how the modulation source switches between rotation and stop.When Sw = Momentary, the speaker is r

37: Dual Delay10237: Dual DelayThis 2-channel delay allows you to set the delay time for the left and right channels independently.a L Delay Time [mse

38: Stereo Delay103size238: Stereo DelayThis is a stereo delay, and can by used as a cross-feedback delay effect in which the delay sounds cross over

39: St. Multitap Delay (Stereo Multitap Delay)10439: St. Multitap Delay (Stereo Multitap Delay)The left and right Multitap Delays have two taps respec

40: L/C/R Delay105size240: L/C/R DelayThis multitap delay outputs three Tap signals to the left, right, and center respectively. You can also adjust t

Overview 7 You can also set the total effect size for a single Timbre to eight. However, if you are routing three Insert Effects in series, you canno

41: Tempo Delay10641: Tempo DelayThis delay allows you to match the delay time with a song’s tempo. For example, you can apply the delay effect synchr

41: Tempo Delay107size2a: Modea: Src (fixed)This parameter selects the delay operating mode. When Manual is selected, the value set in e: Tempo will be

42: St. Modulation Delay10842: St. Modulation DelayThis stereo delay uses an LFO to sweep the delay time. The pitch also varies. You will obtain a del

42: St. Modulation Delay109size2b: D-mod Modulation When the modulation source is used for control, this parameter reverses the left and right modulat

43: St. Dynamic Delay (Stereo Dynamic Delay)11043: St. Dynamic Delay (Stereo Dynamic Delay)This stereo delay controls the level of delay according to

43: St. Dynamic Delay (Stereo Dynamic Delay)111size2Dynamic DelayThresholdDryEnvelopeWetControl Target=OutPolarity= (–)WetControl Target=OutPolarity=

44: Random Panning Dly (Random Panning Delay)11244: Random Panning Dly (Random Panning Delay)When this stereo delay is applied, the delay sound will j

45: Early Reflections113size245: Early ReflectionsThis is a stereo early reflection effect. Compared to the Early Reflections of size 1, this effect has

46: Reverb-Hall11446: Reverb-HallThis effect simulates the reverberation and ambience of medium-size concert halls and ensemble halls.47: Reverb-Smoot

46: Reverb-Hall115size2Reverb - Hall / Plate TypeTimeLevelLouderDryReverbPre Delay ThruPre DelayReverb Time

Overview 8 Sequencer Insert Effects The Insert Effects selected in Program Edit mode are not used in Sequencer mode. Instead, you can set Insert

48: Reverb-Room11648: Reverb-RoomThis reverberation effect emphasizes the early reflections, simulating a tight, room sound. Changing the balance betwe

48: Reverb-Room117size2e: ER Levelf: Reverb LevelThese parameters set the early reflection level and reverb level.Changing these parameter values allow

50: Reverb-Wet Plate11850: Reverb-Wet PlateThis effect simulates a dense plate reverberation. You can create a warm reverb sound.51: Reverb-Dry PlateT

00: Piano Body/Damper (Piano Body/Damper Simulation) 119 size4 00: Piano Body/Damper (Piano Body/Damper Simulation) This effect simulates the reson

01: St. Mlt.band Limiter (Stereo Multiband Limiter) 120 01: St. Mlt.band Limiter (Stereo Multiband Limiter) This is a stereo multiband limiter. a R

02: OD/Hyper-Gain Wah (Overdrive/Hyper-Gain Wah) 121 size4 02: OD/Hyper-Gain Wah (Overdrive/Hyper-Gain Wah) This distortion effect has two modes: o

03: St. Graphic 13EQ (Stereo Graphic 13-Band EQ ) 122 03: St. Graphic 13EQ (Stereo Graphic 13-Band EQ ) This is a stereo 13-band graphic equalizer

04: Vocoder 123 size4 04: Vocoder This effect adds characteristics of other signals (Modulator) to the input signal (Carrier). The Carrier is input t

05: St. Harmonic Chorus (Stereo Harmonic Chorus) 124 05: St. Harmonic Chorus (Stereo Harmonic Chorus) This is a stereo harmonic chorus effect that

05: St. Harmonic Chorus (Stereo Harmonic Chorus) 125 size4 jWet/Dry Dry, 1:99…99:1, Wet Sets the balance between the effect and dry sounds.Src None…

Overview 9 When you are adding Timbres/Tracks that use Single or Double mode Programs to a group of Tim-bres/Tracks that use Drum mode Programs, they

06: Multitap Chorus/Dly (Multitap Chorus/Delay) 126 06: Multitap Chorus/Dly (Multitap Chorus/Delay) This effect has six chorus blocks with differen

06: Multitap Chorus/Dly (Multitap Chorus/Delay) 127 size4 iTap1 Feedback –100…+100 Tap1 feedback amountSrc None…TempoModulation source for the Tap o

07: Stereo Ensemble 128 07: Stereo Ensemble This is a stereo ensemble effect that has three chorus blocks each for the left and right channels. a LFO

08: St. Tempo Flanger (Stereo Tempo Flanger) 129 size4 08: St. Tempo Flanger (Stereo Tempo Flanger) This is a stereo tempo flanger. You can select r

09: St. Tempo Phaser (Stereo Tempo Phaser) 130 09: St. Tempo Phaser (Stereo Tempo Phaser) This is a stereo tempo phaser. You can select random or s

10: St. Pitch Shifter (Stereo Pitch Shifter)131size410: St. Pitch Shifter (Stereo Pitch Shifter)This is a stereo pitch shifter. The pitch shift amount

11: 2Band Pitch Shifter13211: 2Band Pitch ShifterThis pitch shifter sets an individual shift amount for the high and low input signal ranges. If you a

12: Rotary Speaker OD (Rotary Speaker Overdrive)133size412: Rotary Speaker OD (Rotary Speaker Overdrive)This is a stereo rotary speaker effect. It has

12: Rotary Speaker OD (Rotary Speaker Overdrive)134hHorn Acceleration 0…100How quickly the horn rotation speed in the high range is switched. ☞P.43Hor

13: Early Reflections135size413: Early ReflectionsThis is a stereo early reflection effect. Compared to the Early Reflections of size 2, this effect has

Dynamic Modulation 10 Dynamic Modulation You can control certain effect parameters using the joystick, ribbon controller, etc. “on the fly. ” For exam

14: L/C/R Long Delay13614: L/C/R Long DelayThis multitap delay outputs three Tap signals to left, right and center respectively. You can set a maxi-mu

15: Stereo Long Delay137size415: Stereo Long Delay This is a stereo delay, and can by used as a cross-feedback delay effect in which the delay sounds

16: Dual Long Delay13816: Dual Long DelayThis 2-channel delay allows you to set the delay time for left and right channels independently. You can set

17: St. Tempo Delay (Stereo Tempo Delay)139size417: St. Tempo Delay (Stereo Tempo Delay)This is a stereo tempo delay.aMode Manual, D-modSwitches betwe

18: Hold Delay14018: Hold DelayThis effect records the input signal and plays it back repeatedly. You can control the start of recording and reset via

18: Hold Delay141size4c: RST Control Srce: Manual RST ControlThe RST Control Src parameter specifies the modulation source that controls the reset oper

00: Flanger 142 00: Flanger This effect is a monaural-in/stereo-out flanger, with a two-band equalizer, that allows you to control the tonal quality o

01: Phaser 143 01: Phaser This effect is a monaural-in/stereo-out phaser, with a two-band equalizer, that allows you to control the tonal quality of

02: Multitap Chorus/Dly (Multitap Chorus/Delay) 144 02: Multitap Chorus/Dly (Multitap Chorus/Delay) This effect has three chorus blocks with differ

03: Ensemble 145 03: Ensemble This Ensemble effect has three chorus blocks, and adds a three dimensional depth and spread to the sound, since the sig

Dynamic Modulation 11 JS(–Y) Joystick - downwardJS(X) Joystick - horizontal directionRibbon(X) Ribbon controller - horizontal directionRibbon(Z) How

04: Chorus 146 04: Chorus This is a monaural-in/stereo-out chorus. You can add spread to the sound by offsetting the phase of the left and right LFOs

05: L/C/R Delay 147 05: L/C/R Delay This multitap delay outputs three Tap signals to the left, right and center respectively. aL Delay Time [msec] 0

00: L/C/R Long Delay 148 00: L/C/R Long Delay This multitap delay outputs three Tap signals to the left, right and center respectively. Maximum delay

01: Delay/Reverb 149 01: Delay/Reverb This effect is a combination of a multitap delay and a hall-type reverb. aL Delay Time [msec] 0…680msec Sets th

01: Delay/Reverb 150 i: Spreadi: Spread Control These parameters set the width of the stereo image of the effect sound. The wid-est image can be obta

02: Reverb-Room 151 02: Reverb-Room This is a room-type reverberation. Setting the four types of early reflections individually allows you to simulate

03: Reverb-Bright Room 152 jOutput Level 0…100 Output level of the effect soundSrc None…Tempo Modulation source of output levelAmt –100…+100 Modulati

04: Reverb-Hall 153 04: Reverb-Hall This is a hall-type reverberation. Setting the four types of early reflections individually allows you to sim-ulat

Index 154 Index Numerics 2Band Pitch Shifter1322-Voice Resonator80 A Amp Simulation13 C ChorusMaster Effect146size129Compressor14 D Decimator28Delay4

Index 155 T Talking Modulator61Tempo Delay106Tempo Flanger33Tempo Phaser36Tremolo42 V Vibrato38Vocoder123 W Wah/Auto Wah23

Dynamic Modulation 12 SW1SW2 If the switches on the panel are assigned as a dynamic modulation source, set SW1 to Modulation (CC#80) and SW2 to (CC#8

Index 156

00: Amp Simulation 13 size1 00: Amp Simulation This effect simulates the frequency response characteristics of guitar amplifiers. You can obtain a rea

01: Compressor 14 01: Compressor This effect compresses the input signal to regulate the level and give a “punchy” effect. It is useful for gui-tar,

02: Limiter 15 size1 02: Limiter The Limiter regulates the input signal level. It is similar to the Compressor, except that the Limiter com-presses o

Table of Contents i Table of Contents Overview...

02: Limiter 16 c: Attackd: Release These parameters set the attack time and release time. A higher attack time will cause the compression to be appli

03: Gate 17 size1 03: Gate The Gate effect mutes signals with a level lower than the specified threshold. You can also use this effect to create Gated

03: Gate 18 e: Delay Time This parameter sets the delay time of the Gate input. If the sound has a very fast attack, increase the delay time so that

04: Overdrive/Hi-Gain 19 size1 04: Overdrive/Hi-Gain This distortion effect utilizes an Overdrive mode and a Hi-Gain mode. Controlling the 4-band EQ

05: Parametric 4EQ (Parametric 4-Band EQ) 20 05: Parametric 4EQ (Parametric 4-Band EQ) This effect is a four-band parametric equalizer. You can sel

05: Parametric 4EQ (Parametric 4-Band EQ) 21 size1 d: Band2 Dynamic Gain Srcd: Amt [dB]f: Gain [dB] You can control the gain of Band 2 using the mod

06: Graphic 7Band EQ 22 06: Graphic 7Band EQ This effect is a seven-band graphic equalizer. The bar graph of the gain setting for each band gives you

07: Wah/Auto Wah 23 size1 07: Wah/Auto Wah This wah effect allows you to create sounds from vintage wah pedal simulation to auto-wah simulation, and

07: Wah/Auto Wah 24 a: Frequency Bottomb: Frequency Top The sweep width and direction of the wah filter are determined by the Fre-quency Top and Frequ

08: Random Filter 25 size1 08: Random Filter The filter frequency changes randomly. You can create a special effect from filter oscillation. aLFO Frequ

Table of Contents ii Insert Effect size2 00: St. Amp Simulation (Stereo Amp Simulation)... 4701: Stereo Compressor...

09: Dyna Exciter 26 09: Dyna Exciter This effect gives a frame to a sound and emphasizes the outline. You can control the intensity of the effect usi

10: Sub Oscillator 27 size1 10: Sub Oscillator This effect adds very low frequencies to the input signal. It is very useful when simulating a roaring

11: Decimator 28 11: Decimator This effect creates a rough sound like a cheap sampler by lowering the sampling frequency. You can also simulate noise

12: Chorus 29 size1 12: Chorus This effect adds thickness and warmth to the sound by modulating the delay time of the input signal. a LFO Waveform Tr

13: Harmonic Chorus 30 13: Harmonic ChorusThis effect applies chorus only to higher frequencies. This can be used to apply a chorus effect to a bass

14: Ensemble31size114: EnsembleThis chorus effect is created by a subtle shimmering LFO, and adds richness and thickness to the sound. It is most effe

15: Flanger3215: FlangerThis effect gives a significant swell and movement of pitch to the sound. It is more effective when applied to a sound with a l

16: Tempo Flanger33size116: Tempo FlangerThis Flanger allows you to match the LFO cycle with a song’s tempo. For example, you can apply the Flanger sy

17: Envelope Flanger3417: Envelope FlangerThis Flanger uses an envelope generator for modulation. You will obtain the same pattern of flanging each tim

18: Phaser35size118: PhaserThis effect creates a swell by shifting the phase. It is very effective on electric piano sounds.a LFO Waveform Triangle, S

Table of Contents iii Insert Effect size4 00: Piano Body/Damper (Piano Body/Damper Simulation)...11901: St. Mlt.band Limiter (Stereo Multi

19: Tempo Phaser3619: Tempo PhaserThis Phaser allows you to match the LFO cycle with the song tempo. For example, you can synchronize the Phaser to a

20: Envelope Phaser37size120: Envelope PhaserThis Phaser uses an envelope generator for modulation. You will obtain the same pattern of phasing each t

21: Vibrato3821: VibratoThis effect causes the pitch of the input signal to shimmer. Using the AutoFade allows you to increase or decrease the shimmer

22: Resonator39size122: ResonatorThis effect resonates the input signal at a specified pitch. For example, the Resonator will add a unique character to

23: Ring Modulator4023: Ring ModulatorThis effect creates a metallic sound by routing the input signal to an Oscillator. You will obtain a very rad-ic

23: Ring Modulator41size1d: Note Offsete: Note FineThese are used to set the oscillator when OSC Mode is set to Note (Key Follow). The Note Offset par

24: Tremolo4224: TremoloThis effect modulates the volume level of the input signal.a LFO WaveformTriangle, Sine, Square, Up, DownSelects LFO Waveform.

25: Rotary Speaker43size125: Rotary SpeakerThis effect simulates a rotary speaker which is essential to organ sounds. This size 1 Rotary Speaker effec

26: Delay4426: DelayThis delay effect delays the input signal over time. You can change the character of the delay sound by setting the feedback dampi

27: Multitap Delay45size127: Multitap DelayThis Multitap Delay has two taps for delay. With various delay time settings, you can create complex delay

Overview 1 Overview The TRINITY series has two types of effects: Insert Effects and Master Effects .As shown in the figure below, you can use th

28: Early Reflections4628: Early ReflectionsThis effect is only the early reflection part of a reverberation sound, and adds presence to the sound. You

00: St. Amp Simulation (Stereo Amp Simulation) 47 size2 00: St. Amp Simulation (Stereo Amp Simulation) This is a stereo amp simulator. a Amplifier T

01: Stereo Compressor 48 01: Stereo Compressor This is a stereo compressor. You can link left and right channels, or use each channel separately. a E

02: Stereo Limiter 49 size2 02: Stereo Limiter This effect is a stereo limiter. You can link left and right channels, or use each channel individuall

03: Multiband Limiter 50 03: Multiband Limiter This effect applies the Limiter to the low range, mid range, and high range of the input signal. You c

04: Stereo Gate 51 size2 04: Stereo Gate This is a stereo gate effect. Three types are available to turn the gate on/off. This effect features a Hold

04: Stereo Gate 52 b: Envelope Selectb: Src The Envelope Select parameter selects whether the gate on/off is triggered by the level of the input sign

05: OD/Hi-Gain Wah (Overdrive/Hi-Gain Wah) 53 size2 05: OD/Hi-Gain Wah (Overdrive/Hi-Gain Wah) This effect is a distortion with wah, 4-band EQ and

05: OD/Hi-Gain Wah (Overdrive/Hi-Gain Wah) 54 a: Waha: Src The Wah parameter switches the wah effect on/off. The wah center frequency can be control

06: St. Parametric 4EQ (Stereo Parametric 4-Band EQ) 55 size2 06: St. Parametric 4EQ (Stereo Parametric 4-Band EQ) This is a stereo 4-band parametr

Overview 2 Effect Size Insert Effects utilize effect sizes of 1, 2, and 4. Program (Single or Double mode Program):Up to three effects with a total

07: St. Graphic 7EQ (Stereo Graphic 7-Band EQ) 56 07: St. Graphic 7EQ (Stereo Graphic 7-Band EQ) This is a stereo 7-band graphic equalizer. The bar

08: Graphic 13Band EQ 57 size2 08: Graphic 13Band EQ This effect is a 13-band graphic equalizer that allows for finer equalization. Two types of setti

09: St. Random Filter (Stereo Random Filter) 58 09: St. Random Filter (Stereo Random Filter) This effect is a stereo random filter. You can also fad

09: St. Random Filter (Stereo Random Filter) 59 size2 a: AUTOFADE Srca: Fade-In Rate If AutoFade is selected for the LFO speed, depth of modulation,

10: Stereo Enhancer 60 10: Stereo Enhancer This effect spreads and adds presence to the sound, and also functions as a stereo exciter. It is useful w

11: Talking Modulator 61 size2 11: Talking Modulator This effect adds an unusual character, like a human voice, to the input signal. Modulating the t

11: Talking Modulator 62 e: Formant Shift This parameter adjusts the frequency level to which the effect is applied. If you wish to apply the effect

12: Stereo Decimator63size212: Stereo DecimatorThis is a stereo decimator.a Pre LPF Off, OnSelects whether the harmonic noise caused by a decrease in

13: Stereo Chorus6413: Stereo ChorusThis is a stereo chorus. You can add spread to the sound by offsetting the phase of the left and right LFOs from e

13: Stereo Chorus65size2b: LFO Phase [degree] Shifting the left and right LFOs’ phase will cause modulation to be applied dif-ferently for the right a

Overview 3 When you want to preserve the stereo image of a Double mode Program, use Insert Effects of size 2 or 4. Grouping You can use the grouping

14: St. Harmonic Chorus (Stereo Harmonic Chorus)6614: St. Harmonic Chorus (Stereo Harmonic Chorus)This is a stereo harmonic chorus. Shifting the left

15: Multitap Chorus/Dly (Multitap Chorus/Delay)67size215: Multitap Chorus/Dly (Multitap Chorus/Delay)This effect has four chorus blocks with a differe

16: Ensemble6816: EnsembleThis Ensemble effect has three chorus blocks, and gives three dimensional depth and spread to the sound, because the signal

17: Stereo Flanger69size217: Stereo Flanger This is a stereo flanger. You can add spread to the sound by offsetting the phase of the left and right LF

18: St. Random Flanger (Stereo Random Flanger)7018: St. Random Flanger (Stereo Random Flanger)This is a stereo flanger. The effect uses a step-shape w

18: St. Random Flanger (Stereo Random Flanger)71size2Random Flanger LFOLFO Step FreqLFO FrequencyLFO Step FreqStep-TriRandom

19: St. Tempo Flanger (Stereo Tempo Flanger)7219: St. Tempo Flanger (Stereo Tempo Flanger) This is a stereo tempo flanger. The flanging effect can fade-

20: Stereo Phaser73size220: Stereo PhaserThis is a stereo phaser. You can add spread to the sound by offsetting the phase of the left and right LFOs f

21: St. Random Phaser (Stereo Random Phaser)7421: St. Random Phaser (Stereo Random Phaser)This is a stereo phaser. The effect uses a step-shape wavefo

22: St. Tempo Phaser (Stereo Tempo Phaser)75size222: St. Tempo Phaser (Stereo Tempo Phaser)This is a stereo tempo phaser. The phasing effect can fade-

Overview 4 Program You can use the Insert Effects as long as the total of the effect size is four or less in Program mode.The configuration of the Ins

23: St. Bi-phase Mod. (Stereo Bi-phase Modulation)7623: St. Bi-phase Mod. (Stereo Bi-phase Modulation)This stereo chorus effect adds two different LFO

23: St. Bi-phase Mod. (Stereo Bi-phase Modulation)77size2LFO1LFO2Bi-Phase Modulation LFODepth1Depth2+

24: Stereo Vibrato7824: Stereo VibratoThis is a stereo vibrato. You can set a delay for the time that is taken before the auto-fade starts.aAUTOFADE S

24: Stereo Vibrato79size2The following is an example of fade-in where the LFO speed is increased from “1.0Hz” to “4.0Hz” when a note-on message is rec

25: 2-Voice Resonator8025: 2-Voice ResonatorThis resonator has two resonance points. You can set the output level and stereo image (pan) for each res-

25: 2-Voice Resonator81size2a: Control Modee: Voice1: Resonanceh: Voice2: ResonanceThis parameter determines whether the resonance intensity is contro

26: Doppler8226: DopplerThis effect simulates a “Doppler effect” (sound moving while changing its pitch) that sounds, for exam-ple, like an ambulance

26: Doppler83size2c: Pitch Depth With the Doppler effect, the pitch is raised when the sound approaches, and the pitch is lowered when the sound goes

27: Stereo Tremolo8427: Stereo TremoloThis is a stereo tremolo. You can create sound panning to left and right by offsetting the phase of the left and

28: Stereo Auto Pan85size228: Stereo Auto PanThis Auto Pan effect pans sound between left and right. It is stereo, and shifting the left and right LFO

Overview 5 If output connectors 3 and 4 are used for stereo output, you can set the stereo position of Send 1 and 2 using the Pan 3 and 4 parameters

28: Stereo Auto Pan86L-InLeftCenterRightOutput Stereo ImageR-InL-InR-InL-InR-InL-InR-InL-InR-InL-InR-InL-InR-InL-InR-InL-InR-InL-InR-InL-InR-InL-InR-I

29: St. Envelope Pan (Stereo Envelope Pan)87size229: St. Envelope Pan (Stereo Envelope Pan)This stereo Pan uses the envelope generator to pan sound to

29: St. Envelope Pan (Stereo Envelope Pan)88With Pan Mode = D-mod, you can control panning directly using the modula-tion source specified in the Src fi

30: Stereo Dyna Pan89size230: Stereo Dyna PanThis effect counts the number of times the modulation source is turned on/off, and switches the panning m

30: Stereo Dyna Pan90The effect is off when the value for the modulation source specified for the Trigger Source parameter is smaller than 64, and the

31: Phaser+Tremolo91size231: Phaser+TremoloThis effect links a stereo phaser LFO and a tremolo LFO. Swelling created by the phaser and shimmering crea

31: Phaser+Tremolo92b: Phaser LFO [degree]g: Tremolo LFO [degree]g: Diff Tremolo<>PhaserThe Phaser LFO and Tremolo LFO determine the right and l

32: Shimmer93size232: ShimmerThis effect controls a stereo tremolo based on the input signal level. You can create an effect in which the shimmering b

32: Shimmer94Setting example: The maximum input level will produce 1.0Hz, Depth = 0. An input level of “0” will produce 8.0Hz, Depth = 100:f: LFO Freq

33: Detune95size233: DetuneUsing this effect, you can obtain a detune effect that offsets the pitch of the effect sound slightly from the pitch of the