Korg OASYS musical instruments User Manual

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Summary of Contents

Page 1 - Operation Guide

Operation GuideOperation GuideOperation GuidePlease read this guide first

Page 2

Quick Start 2 Play the keyboard or strike the pads to hear the sound. 2. The large characters in the upper part of the LCD screen will be highlighted

Page 3 - IMPORTANT SAFETY INSTRUCTIONS

Creating songs (Sequencer mode)9212.Press the SEQUENCER START/STOP switch to play back.Note: If the correct sounds are not selected when you start pla

Page 4 - CD-R/RW handling

MIDI recording Recording patterns93Select another effect for IFX1 in the P8: Insert Effect– Insert FX page, and edit the effect parameter values, o

Page 5

Creating songs (Sequencer mode)946. Set the number of measures in the pattern to a “Length” of 04 (four measures), and set “Meter” to a time signature

Page 6 - About this manual

MIDI recording Other ways to record95Using KARMA for pattern recordingIf the KARMA function is set to operate for the track that is selected for “T

Page 7 - Contents

Creating songs (Sequencer mode)96Audio recordingOverview: About the OASYS’ hard disk recorder• There are sixteen audio tracks. They allow 16-bit linea

Page 8

Audio recording Audio input settings and recording source selection97When you save an .SNG file, its related audio files are stored in a separate dir

Page 9

Creating songs (Sequencer mode)98When sampling via S/P DIF, you must set the Global mode System Clock appropriately. For more information, please see

Page 10 - Quick Start

Audio recording Audio input settings and recording source selection99LevelThis controls the level of the external audio signal. The default is 127.

Page 11 - Combination Bank Contents

Creating songs (Sequencer mode)100PanThis specifies the pan of audio track.VolumeSets the volume of audio tracks 1–16.Recording procedureRecording Setu

Page 12 - Load tab

Audio recording Recording procedure101Audio events cannot be recorded. This means that if you set “Track Select” to Audio Track, and turn “Automati

Page 13 - Popup Song Select

Quick Start Playing Programs and Combinations 3Combination Bank Contents As shipped from the factory, the contents of the Combination Banks are as

Page 14 - New EXi option: Legacy Analog

Creating songs (Sequencer mode)1023. Adjust the level(s) of the input signal(s) so that it is as high as possible without activating the CLIP! or ADC

Page 15 - Supported DRAM DIMM modules

Audio recording Recording procedure103Access the P8: Insert Effect– Audio Routing1 page.In “Audio Track 1,” specify the output for audio track 1.Bu

Page 16 - Half-Damper Enable

Creating songs (Sequencer mode)104(located in the right side of the display) from +0.0 down to an appropriate level.Press the SEQUENCER START/STOP swi

Page 17 - Introduction to OASYS

Audio recording Recording procedure1054. In the P0: Play/REC– Audio Track Mixer page, set REC Source to REC1 so that the signal of the REC bus will

Page 18

Creating songs (Sequencer mode)1068. In “Recording Setup (Audio Track),” uncheck the “Rehearsal” option.Record9. Use “Location” to specify the locatio

Page 19 - Detailed Specifications

Audio recording Recording procedure1076. In the P0: Play/REC– Audio Track Mixer page, set REC Source so that L will be recorded on audio track 3.Au

Page 20 - Open Sampling System

Creating songs (Sequencer mode)108The metronome will begin sounding, and you will be in record-ready mode.7. Press the SEQUENCER START/STOP switch.Aft

Page 21 - EXi expansion instruments

Audio recording Song editing109When selecting a WAVE file, you can press the Play button to audition the files to help you find the desired one.You ca

Page 22 - CX-3 Tonewheel Organ

Creating songs (Sequencer mode)110Resample SEQ Play: Make settings so that you can resample your keyboard playing in Sequencer mode.In-Track Sampling:

Page 23 - PolysixEX

Audio recording Song editing111measures will be moved towards the beginning of the sequence. For more information, see “Delete Measure” on page 543

Page 24

Quick Start4For details on these controllers, see “Performing with KARMA” on page 196.3. After you’ve edited a program, you can restore the program to

Page 25 - The OASYS’ expandability

Creating songs (Sequencer mode)112Using RPPR (Realtime Pattern Play/Record)This section explains how to assign a pattern to RPPR, and how to play and

Page 26 - Front panel

Audio recording Using RPPR (Realtime Pattern Play/Record)113RPPR playbackLet’s use the RPPR you created to perform in the P0: Play/REC– MIDI Track

Page 27 - MODULATION)

Creating songs (Sequencer mode)114With a setting of SEQ, patterns played by the RPPR function while the sequencer is playing or recording will start i

Page 28 - 8. VALUE entry

Audio recording Saving your song115change its timing to transform the original rhythm loop sample into a completely new rhythm loop.• The In-Track

Page 29 - 10. UTILITY buttons

Creating songs (Sequencer mode)116Cautions and other functions in Sequencer modeOASYS sequencer file formatsThe OASYS sequencer supports both the propr

Page 30

Audio recording Cautions and other functions in Sequencer mode117If you wish to use the Sequencer mode of the instrument as a 16-track multi-timbra

Page 31 - 18. TEMPO controls

Creating songs (Sequencer mode)118

Page 32 - ADAT OUT

119Sampling (Open Sampling System)Sampling OverviewAbout sampling on the OASYSThe OASYS can sample external audio from the analog or S/P DIF inputs, a

Page 33

Sampling (Open Sampling System)1202) You can sample external audio sources via the OASYS’ input jacks (see “Sampling mode” 1 and 2, above). At this ti

Page 34 - 9. AC Power connector

Preparations for sampling121MultisamplesMultisamples lay out one or more Samples across the keyboard. For instance, a very simple guitar Multisamp

Page 35

Quick Start Listening to the demo songs5Listening to the demo songs in Sequencer mode1. Press the MODE SEQ switch (the LED will light) to enter Seq

Page 36 - * Text edit button

Sampling (Open Sampling System)1221…8: The external audio input signal will be sent to INDIVIDUAL 1, 2, 3, 4, 5, 6, 7, or 8 in monaural.1/2…7/8: The e

Page 37 - Toggle buttons

Preparations for sampling123even though this level setting is very low, it is possible that the sound is distorting earlier than the AD converter.

Page 38 - About the OASYS’ modes

Sampling (Open Sampling System)124channel and REC bus 2 is input to the R channel. If you choose REC3/4, REC bus 3 is input to the L channel and REC b

Page 39 - About the OASYS’ PCM memory

Preparations for sampling125Program modeSave toSpecifies the destination to which the data will be written during sampling.RAM: The sample will be

Page 40 - User sampling RAM capacity

Sampling (Open Sampling System)126Using the metronomeIt is convenient to use the metronome when you want to play a program or combination at a specific

Page 41 - About polyphony

Sampling and editing in Sampling mode127Creating multisample indexes and sampling – P0: RecordingHere’s how to create indexes in a multisample, an

Page 42 - Page tab

Sampling (Open Sampling System)1285. Select “Index.”You can also select “Index” by holding down the ENTER switch and playing a pad or a note on the ke

Page 43 - Vector Control tab

Sampling and editing in Sampling mode129– Sampling Setup –Source Bus: L/RThe sound being sent to the L/R bus will be sampled.Trigger: ThresholdWit

Page 44 - Keyboard input

Sampling (Open Sampling System)13010.When you’ve finished saying the word(s), press the SAMPLING START/STOP switch.This completes the sampling operatio

Page 45 - Connections

Sampling and editing in Sampling mode1313. Access the P8: Insert Effect– Insert FX page.Press the IFX tab, and then the Insert FX tab.4. Select IF

Page 46

Quick Start6New features in software version 1.2OASYS software version 1.2 adds a number of new features, including increased polyphony for the AL-1 a

Page 47 - Setup Connections

Sampling (Open Sampling System)132When the power is first turned on, the assigned sample will be set to “Orig.Key C2.2. Make the following settings.– I

Page 48 - Turning the power on/off

Sampling and editing in Sampling mode133Press the C2 key, and verify that reverb is applied.Also make sure that the Bus Sel. following IFX1 is set

Page 49 - Using the CD-R/RW drive

Sampling (Open Sampling System)134To play the sample, press the key to which the sample is assigned (the key range that is highlighted in “Keyboard &a

Page 50

Sampling and editing in Sampling mode135Set “Resolution” as desired, and specify the tempo BPM value.The grid is displayed according to the playba

Page 51 - Playing and editing Programs

Sampling (Open Sampling System)136adjustments by adjusting “Start” or “End,” and by using Divide to separate or Link to combine. For more information,

Page 52 - Selecting by Category

Sampling and editing in Sampling mode137As an example, set “ (Tempo)” to 100. Notice that the pitch does not change when you play back at a diffe

Page 53 - Using Controllers

Sampling (Open Sampling System)138The waveform data of the currently selected sample will be displayed.Sample waveforms that were recorded with a “Sam

Page 54 - Using the Lock function

Sampling and editing in Sampling mode139indicates the zone determined by the “Top Key” setting.• Level adjusts the playback level of the sample. Y

Page 55 - VALUE slider

Sampling (Open Sampling System)140begin ripping. If you do not consent to the terms, press the Cancel button to cancel the operation.Saving multisampl

Page 56 - Damper and MIDI

Sampling in Program, Combination, and Sequencer modes141Sampling in Program, Combination, and Sequencer modesIn addition to using Sample mode, you

Page 57 - Using Chord mode

Quick Start New features in software version 1.17Increased polyphony for the AL-1 & STR-1As part of our continued refinements to the OASYS syste

Page 58 - Basic and Advanced modes

Sampling (Open Sampling System)142In this example we’ll explain how you can use Auto Sampling Setup to make the settings described above in the preced

Page 59 - Chords and MIDI

Sampling in Program, Combination, and Sequencer modes143Mode: StereoThe sound of the internal L/R channels will be sampled in stereo.– Metronome S

Page 60 - Real-Time Knobs

Sampling (Open Sampling System)1444. We will be modifying the Audio Input settings, so turn the Input “Use Global Setting” off.5. Choose the Auto HDR/

Page 61 - Editing sounds

Sampling in Program, Combination, and Sequencer modes145Resampling a song to create a Wave fileYou can record a completed Song to a stereo WAVE file

Page 62 - Saving your edits

Sampling (Open Sampling System)146Use the page menu command “Select Directory” to verify that the WAVE file was created. Select the file and press the S

Page 63 - Basic HD-1 Structure

147Settings for the entire OASYS (Global mode)How Global mode is structuredIn Global mode you can make overall settings that apply to the entire OASYS

Page 64 - Working with Multisamples

Settings for the entire OASYS (Global mode)148Linking KARMA to programs and combinationsYou can specify whether the KARMA settings written to a progra

Page 65 - Using LFOs

MIDI-related settings P1: MIDI149MIDI-related settings P1: MIDIMIDI Setup, MIDI Filter, ExternalHere you can make MIDI settings for the entire OAS

Page 66 - Using the AMS Mixers

Settings for the entire OASYS (Global mode)150KARMA, Pad, VectorYou can assign control change messages to the KARMA switches and sliders, pads 1–8, an

Page 67 - Controlling Pitch

Using Wave Sequences Wave Sequence Overview151Using Wave SequencesWave Sequence OverviewWhat’s a Wave Sequence?Wave Sequences play back a series of

Page 68 - Using Filters

Quick Start8PC2700 (DDR333 CL2.5)PC3200 (DDR400 CL3)Capacity for the additional DIMM: 512MB or 1GBDRAM DIMM is not a manufacturer option. Please use c

Page 69 - Modulating the filters

Settings for the entire OASYS (Global mode)152Wave Sequence graphicWhat’s in a step?Wave Sequences have 64 steps (although you don’t have to use all o

Page 70 - Using the Amp section

Using Wave Sequences Adjusting the sound of an individual step153the entire Wave Sequence becomes “stereo,” and uses twice as many voices - it’s th

Page 71 - Amp modulation

Settings for the entire OASYS (Global mode)1545. For AMS A, select Wave Seq AMS Out 1.6. Set the AMS A Amount to 00.7. For AMS B, select SW 1 Mod (CC#

Page 72 - Using Vector Synthesis

Using Wave Sequences Using rhythmic Wave Sequences155External MIDI syncs to incoming MIDI clocks, and ignores the TEMPO knob.Auto is a combination

Page 73 - Master Effects

Settings for the entire OASYS (Global mode)156• In Program and Combi modes, if KARMA is off, note-ons are synchronized with the sounding Tempo-mode Wa

Page 74

Using Wave Sequences Modulating Wave Sequences1572. In the dialog box, set the Expand/Compress % parameter as desired.100% means the current durati

Page 75 - Combination overview

Settings for the entire OASYS (Global mode)1586th note: 2, 3, 4, 5, 67th note: 3, 4, 5, 68th note: 4, 5, 69th note: 5, 610th note: 611th note: 2, 3, 4

Page 76 - Selecting Combinations

Using Drum Kits Drum Kit Overview159Using Drum KitsDrum Kit OverviewWhat’s a Drum Kit?Drum Kits, as the name implies, are optimized for creating dr

Page 77

Settings for the entire OASYS (Global mode)160Drum Kits may be used by more than one ProgramWhen you edit a Drum Kit, all Programs that use that Drum

Page 78 - Easy Combination editing

Using Drum Kits Saving Drum Kits161This can be very useful in creating a smooth velocity split or crossfade.2. Set the tuning and EG parameters as

Page 79 - Combination editing

9Introduction to OASYSMain FeaturesOpen Architecture Synthesis StudioThe OASYS features the OA (Open Architecture) synthesis system, which offers all

Page 80 - Creating Velocity Switches

Settings for the entire OASYS (Global mode)162You can give the Drum Kit a descriptive name using the on-screen keyboard. 3. After entering the name, p

Page 81 - MIDI Settings

163Loading & saving data, and creating CDsSaving dataTypes of data that can be savedThere are three ways to save data; you can write it into inter

Page 82 - Use Program’s Scale, Scale

Loading & saving data, and creating CDs164• Wave sequence banks INT: 000–149• Demo songsPreset data is data that cannot be rewritten by the Write

Page 83

Saving data Writing to internal memory165Combination P0: Play– Prog Select/Mixer“Category” (Category/Program Select)Sequencer P0: Play/REC– MIDI Tr

Page 84

Loading & saving data, and creating CDs166If you wish to save this modified data into internal memory, you must perform the Write operation.When yo

Page 85 - Sequencer mode structure

Saving data Writing to internal memory167Press the Shift button once again to switch to lowercase characters, and press the characters r, o, g, r,

Page 86 - Make Audio CD

Loading & saving data, and creating CDs168Saving to disks, CDs, and USB mediaFor details on the data that can be saved on storage media. (See “Typ

Page 87 - Playback

Saving data Saving to disks, CDs, and USB media1694. Press the MODE DISK switch to enter Disk mode.5. Press the Media Info tab, and then execute th

Page 88 - TIMBRE/TRACK

Loading & saving data, and creating CDs170The amount of time required will depend on the amount of data being saved.If a file with the same name al

Page 89 - LOCATE settings

Loading data from disk Loading .PCG, .SNG, and .KSC files171Loading data from diskThe types of data that can be loaded from media are shown in the

Page 90 - Loop playback

Introduction to OASYS10pizzicato, and sforzando, as well as four-level velocity switching and crossfading to ensure a natural range of expression.Reed

Page 91 - Preparations for recording

Loading & saving data, and creating CDs172Supported file typesDOS directoryUndefined DOS fileDOS fileDOS file.PCG file.SNG file.KFX file All progra

Page 92 -       

Loading data from disk Loading individual banks from a .PCG file173Loading individual banks from a .PCG file1. Select the .PCG file containing the da

Page 93 - Recording MIDI in real-time

Loading & saving data, and creating CDs174Note: When you press the keyboard of the OASYS, the selected combination will sound. However, the intern

Page 94 - Track Select

Creating and playing audio CDs Creating audio CDs175Creating and playing audio CDsWAVE files you create by resampling to the internal hard disk or t

Page 95 - Multi (multitrack recording)

Loading & saving data, and creating CDs176If you select a WAVE file in this page whose sampling frequency is 48 kHz, you can also use the Play butt

Page 96 - MIDI step recording

Creating and playing audio CDs Playing audio CDs177Playing audio CDsYou can play audio CDs–including CDs you’ve created–directly on the OASYS.To do

Page 97

Loading & saving data, and creating CDs178Other disk operationsViewing information about media – Disk Media InfoThis displays information about th

Page 98 - Program)

Other disk operations Restoring the factory settings179Restoring program, combination, drum kit, wave sequence, and global settings to their factor

Page 99

Loading & saving data, and creating CDs180Other functionsAssigning functions to SW1/2 and the REALTIME KNOBSSetting the functions of SW1 and SW2SW

Page 100

Other functions Using tap tempo1813. From the page menu located in the upper right of the LCD, choose “LCD Setup” to open the dialog box.4. Set the

Page 101 - Recording patterns

Main Features Open Architecture Synthesis Studio11available) to control the oscillator volume, synth parameters, or effect parameters.• Single/doub

Page 102 - Pattern Select

Loading & saving data, and creating CDs182Note: Resetting the REALTIME KNOBS of MODE R.TIME KNOBS/KARMA will set them to the center position.Note:

Page 103 - Other ways to record

183Using EffectsFor effects processing, the OASYS provides 12 insert effects, two master effects, and two total effects, together with a mixer section

Page 104 - Audio recording

Using Effects184Note: The Parameter Guide includes block diagrams for each individual effect, which include the effect’s input/output structure.Effect

Page 105 - Use Global Setting

Routing effect settings185Uncheck this if you want programs and combinations to use their own settings. For example when writing the program as a

Page 106 - LINE ONOFF MIC

Using Effects186Each time you press the button, the insert effect will be switched on/off. When Off, the result will be the same as when 000: No Effec

Page 107 - Audio Track Mixer

Routing effect settings18714.In MFX1 and MFX2, select the type of each master effect.The procedure is the same as when selecting an insertion effe

Page 108 - Recording procedure

Using Effects188can set the Sampling Setup Source Bus to a REC bus, and sample the signal that is sent to the REC bus. Use this if you want to sample

Page 109 - Audio Track Recording Level

Routing effect settings1892. Use Bus Select (IFX/Indiv.) to specify the bus to which each audio input will be sent.For example if you want the sig

Page 110 - Connect your guitar

Using Effects190For more details, see step 11 under “Program Effects settings,” beginning on page 185.Master effects and Total effectsThese settings c

Page 111 - Set the recording level

Dynamic modulation, MIDI/Tempo Sync, and Common FX LFO191If you want to save the edited settings in the OASYS, you must write them. Use the Global

Page 113 - Rehearse

Introduction to OASYS12Detailed Specifications: Drumkits• Stereo or mono drum samples• Four-level velocity switches or crossfadesKARMAThe OASYS’ KARMA

Page 114 - Bouncing audio tracks

Using Effects1923. For L, C, and R, set the Delay Base Note and Times as desired.For this example, set Delay Base Note to  and Times to x1 so that t

Page 115 - Listen to the recorded result

193Using KARMAOverview - What is KARMA?KARMA stands for Kay Algorithmic Realtime Music Architecture, named after its inventor, Stephen Kay.The KARMA f

Page 116

Using KARMA194You can control the phrase or pattern by editing these parameters, or by assigning them to the KARMA CONTROLS sliders or KARMA SWITCH bu

Page 117 - Song editing

Overview - What is KARMA? 195you’re switching through various GEs that have the same RTC Model, you will be able to control them in a uniform manne

Page 118 - MIDI Tracks

Using KARMA196KARMA CONTROLS sliders 1–8KARMA SWITCHES 1–8KARMA SCENES 1–8When CONTROL ASSIGN is set to R.TIME KNOBS/ KARMA, these control the KARMA m

Page 119 - Audio Tracks

Overview - What is KARMA? Performing with KARMA197As an alternative to using the TEMPO knob or the TAP TEMPO switch, you can choose “ =” in the di

Page 120 - Creating RPPR data

Using KARMA198The note or chord you played in step 1 will be assigned to the pad, and the CHORD ASSIGN switch LED will go dark.4. Press the pad to whi

Page 121 - Recording an RPPR performance

Overview - What is KARMA? Performing with KARMA1991. Operate the sliders and switches to edit the values saved in the program.2. Hold down the RESE

Page 122 - Sampling in Sequencer mode

Using KARMA200As you step through the combinations, you will notice that the KARMA ON/OFF switch LED is lit for some combinations.With these combinati

Page 123 - Saving your song

Overview - What is KARMA? Performing with KARMA201The sliders and switches will control the pattern or phrase generated by the KARMA module selecte

Page 124 - About MIDI

Main Features Open Architecture Synthesis Studio13Detailed Specifications• Open Sampling System, with resampling and In-Track sampling• 16-bit/48 kH

Page 125

Using KARMA202GE (Generated Effect) selectionJust as for a program, you can use the “GE Select” field to select the GE used by each module. (See “KARMA

Page 126

Overview - What is KARMA? KARMA function settings2032. Specify the copy-source mode, bank, and number.If you want to copy the GE realtime parameter

Page 127 - Sampling Overview

Using KARMA204control effects, for example by turning on a delay effect in conjunction with a generated phrase.Use “CC Number” to specify the MIDI con

Page 128 - Samples and Multisamples

Overview - What is KARMA? KARMA function settings205a certain degree of standardization to the over 200 internal parameters of the GE. By default,

Page 129 - Preparations for sampling

Using KARMA206Linking KARMA settings to Program changesKARMA settings can be saved individually for each Program. Normally, when you select a new Prog

Page 130

Overview - What is KARMA? KARMA function settings207how the KARMA modules play the timbres. These are the most important settings when using multip

Page 131 - Source BUS = L/R

Using KARMA208KARMA module B: “Input Ch” = G ch, “Out Ch”= 03The timbres played by the KARMA modules are shown in red, as specified by the timbre’s MID

Page 132 - Source Direct Solo

Overview - What is KARMA? KARMA function settings209With the appropriate “ASSIGN” settings, a GE realtime parameter of (for example) module A can c

Page 133 - Sample Time

Using KARMA210Auto Assign KARMA RTC Name (See “Auto Assign KARMA RTC Name” on page 139 of the Parameter Guide)Specifying the random seedsFor each GE r

Page 134 - Using the metronome

Overview - What is KARMA? KARMA function settings211command with IFXs, MFXs, and TFXs checked, and Multi REC Standby checked. For more information,

Page 135

Introduction to OASYS14result will be a melodic phrase. If assigned to the filter, the filter will produce modulation in synchronization with the tempo.

Page 136 - Condenser

Using KARMA212The trigger timing will be synchronized to sixteenth-note intervals of the sequencer beat. (See “Synchronizing the KARMA function” on pa

Page 137

Overview - What is KARMA? Synchronizing the KARMA function213Synchronizing the KARMA functionSynchronization with a wave sequenceIf you want a KARM

Page 138

Using KARMA214Synchronization with MIDI realtime commandsIn Sequence mode, Song Start, Continue, and Stop messages that the OASYS receives will contro

Page 139

215AppendicesTroubleshootingIf you experience problems, refer to the relevant item and take the appropriate measures.Power supplyPower does not turn o

Page 140

Appendices216Audio input and outputNo soundAre connections made correctly to your amp, mixer, or headphones? For more information, see “Connections” o

Page 141 - Loop settings

Troubleshooting Programs and Combinations217• When you change the sampling frequency in S/P DIF Sample Rate (e.g., from 48 kHz to 96 kHz), two or t

Page 142 - Truncate

Appendices218Are the bank/numbers of the programs used by the combination the same as when the combination was created?• If you have switched program

Page 143

Troubleshooting Sampling219Are Assign, Pattern Select, and Track set correctly? See “Using RPPR (Realtime Pattern Play/Record)” on page 112.If the

Page 144

Appendices220• If this is checked, RAM will be optimized automatically when sampling ends, meaning that the sound will stop when sampling ends. If a s

Page 145 - P1: Sample Edit

Troubleshooting Effects221EffectsEffects are not appliedHave you selected effect program 000?• Select an effect other than 000: No Effect for “IFX1

Page 146 - Editing the indexes

Main Features Open Architecture Synthesis Studio15the distance between mics. This gives you total control over the sound field as well as the sound

Page 147 - Ripping – P5: Audio CD

Appendices222• If you install a UDF version 1.5 compatible UDF reader or packet writing software on your computer, it will be possible to recognize th

Page 148

Media that can be used with the OASYS Types of media supported by the OASYS223Media that can be used with the OASYSTypes of media supported by the

Page 149 - Combination modes

Appendices224Note: If you have any questions regarding the media that can be used, please contact your local Korg distributor. You may also check the

Page 150 - OFF LINE

Specifications and options Operations that the OASYS can perform on media225Specifications and optionsOperating temperature+5 – +35 °CSystem OA (Ope

Page 151

Appendices226AL-1 Oscillators Ultra-low-aliasing oscillators, using a new design.OSC1, OSC2, Sub OSC, Noise Generator, Ring Mod, modulatable oscillato

Page 152

Specifications and options Operations that the OASYS can perform on media227PolysixEX(Optional)CMT Modeling Uses Korg’s CMT modeling, reproducing n

Page 153

Appendices228Load/Save/Disk Utility/Audio CDLoad, Save, Utility, Make Audio CD, Play Audio CDData Filer functionality (Save and Load MIDI System Exclu

Page 154

Specifications and options Operations that the OASYS can perform on media229Audio OutputsAnalog Main outputs: L/Mono, RIndividual outputs: 1–81/4”

Page 155 - P0: Basic Setup

Appendices230Options* Appearance and specifications of this product are subject to change without notice. (April/’05)Hardware EXB-DI Digital Interface

Page 156 - Global audio settings

MIDI Implementation Chart Operations that the OASYS can perform on media231MIDI Implementation ChartMIDI Implementation ChartDate : 2004. 12. 4 OAS

Page 157 - Assignable Pedal

Introduction to OASYS16A new leap to the ideal workstation – a 16-track MIDI sequencer plus a 16-track hard disk recorderThe sequencer of the OASYS pr

Page 159 - Programming Basics

KORG INC.4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan© 2005 KORG INC.IMPORTANT NOTICE TO CONSUMERSThis product has been manufactured according t

Page 160 - Setting up the loop

Main Features Open Architecture Synthesis Studio17Superb user interfaceControl surface and a rich variety of other controllersThe huge array of fun

Page 161 - Using Insert/Cut/Copy/Paste

Introduction to OASYS18Front and rear panelsFront panel1. VOLUME slider (MAIN/HEADPHONE)This adjusts the volume of the main L/R audio outputs, as well

Page 162 - Using rhythmic Wave Sequences

Front and rear panels Front panel196. KARMA buttonsKARMA stands for “Kay Algorithmic Realtime Music Architecture.” It’s an immensely powerful recor

Page 163 - Keeping notes in sync

Introduction to OASYS20TIMBRE/TRACKTIMBRE/TRACK lets you use the control surface to adjust the volume, pan, EQ, and send levels for OSC 1/2 or EXi 1/2

Page 164 - Crossfaded Wave Sequences

Front and rear panels Front panel21VALUE dialUse this dial to edit the selected parameter’s value. This control is convenient when you want to scro

Page 165 - Modulating Wave Sequences

iii IMPORTANT SAFETY INSTRUCTIONS • Read these instructions.• Keep these instructions.• Heed all warnings.• Follow all instructions.• Do not use this

Page 166 - Saving Wave Sequences

Introduction to OASYS22To reset a single control, hold down RESET CONTROLS and then move a Control Surface slider or knob, press one of the control su

Page 167 - Before you start editing…

Front and rear panels Front panel23where you can immediately use the numeric keys or / switches to select a Program, Combination, or Song.When a d

Page 168 - Editing Drum Kits

Introduction to OASYS2419. SAMPLING buttonsREC buttonIn Sampling, Program, Combination, and Sequencer modes, pressing this button enters the initial s

Page 169 - Saving Drum Kits

Front and rear panels Rear panel25MIDI THRU connectorMIDI data received at the MIDI IN connector is re-transmitted without change from the MIDI THR

Page 170

Introduction to OASYS26Mic/Line Inputs 1 and 2Inputs 1 and 2 provide combined XLR and 1/4” TRS balanced connectors. You can use these for either micro

Page 171 - Saving data

Front and rear panels Names and functions of objects on the LCD display27Names and functions of objects on the LCD displayThe OASYS uses Korg’s Tou

Page 172 - Writing to internal memory

Introduction to OASYS28Scroll barUse this when you wish to see parameter values that extend beyond what can be displayed in the screen at one time.e:

Page 173 - About the Edit Buffer

Front and rear panels Names and functions of objects on the LCD display29Toggle buttonsThis type of button will change its function or switch on/of

Page 174 - Editing names

Introduction to OASYS30Basic InformationAbout the OASYS’ modesThe OASYS has a large number of features that let you play and edit programs and combina

Page 175 - ● Memory in Global mode P0–P3

Basic Information About the OASYS’ PCM memory31• Select and play Combinations• Use OASYS as a 16-track multitimbral tone generator• Edit Combinatio

Page 176 - Drive Select

iv Handling of the internal hard disk Do not apply physical shock to this device. In particular, you must never move this device or apply physical sh

Page 177 - How to save data

Introduction to OASYS32To use these samples when making your own sounds, select Bank ROM (Stereo, Mono) for a program’s MS Select (Program P2: OSC/Pit

Page 178 - Formatting media

Basic Information About polyphony33The Expansion Sample Setup has now been changed. In order for your changes to take effect, please turn the power

Page 179 - Loading data from disk

Introduction to OASYS34Note: As with the meter as a whole, the number shown in FREE FOR VOICES is only an approximation. For example, if FREE FOR VOIC

Page 180 - Supported file types

Basic Information Basic operations353. Press a tab in the upper line (page tabs) to select a page.As an example here, press the Vector Control tab.

Page 181

Introduction to OASYS36be recalled. When you press the COMPARE switch once again, the LED will go dark and you will return to the settings that you we

Page 182

Setup Connections37SetupConnectionsConnections must be made with the power turned off. Please be aware that careless operation may damage your spea

Page 183 - Creating audio CDs

Introduction to OASYS38AUDIO OUTPUT (MAIN) L/MONO and RThese are the main outputs, accessed by setting Bus Select to L/R. All of the factory sounds us

Page 184 - Saving Track Lists

Setup Connections39Note: Guitars with active pickups can be connected directly to any of the inputs. Guitars with passive pickups (i.e., guitars th

Page 185 - Playing audio CDs

Introduction to OASYS402. Execute the Disk mode Utility menu command “Scan USB Device.”3. Use the Disk mode Drive Select screen to check the connectio

Page 186 - Setting the date and time

Setup Using the CD-R/RW drive413. Raise the OASYS’s VOLUME slider to an appropriate level, and adjust the volume of your powered monitors or stereo

Page 187

v Data handling Incorrect operation or malfunction may cause the contents of memory to be lost, so we recommend that you save impor-tant data on a CD

Page 188 - Other functions

Introduction to OASYS42Insert a pin-like object of less than 1 mm diameter, such as a straightened paper clip, into the manual eject pinhole and push.

Page 189 - Resetting controller values

43Playing and editing ProgramsWhat’s a Program?Programs are the basic sounds of the OASYS. You can play them by themselves, layer them together in Com

Page 190 - Shortcuts

Playing and editing Programs44Using the front-panel buttons1. Make sure that the PROGRAM button, under MODE, is lit.This means that you’re in Program

Page 191 - Using Effects

Using Controllers45Using a footswitch to select ProgramsYou can assign a footswitch to step through Programs one by one, either going up (0, 1, 2,

Page 192 - Effects in each mode

Playing and editing Programs46Joystick LockThe joystick is spring-loaded, so that it automatically returns to the center position when you let go.Howe

Page 193 - Routing effect settings

Using Controllers47The sound will remain as it was when you last touched the ribbon.4. Press the SW2 key once again to release the Lock function.5

Page 194 - Effect ParametersWet/Dr y

Playing and editing Programs48KeyboardVelocityVelocity is a measure of how hard you play a note on the keyboard. This can be used to modulate many dif

Page 195 - Total Effects

Using Chord mode49Assigning notes and chords to padsYou can assign single notes and chords to the pads in three different ways.Play the notes, and

Page 196 - Routing of an external input

Playing and editing Programs50Chord SwitchThe Chord Switch (abbreviated Chord SW) lets you turn Chord mode on and off via SW1/2 or the Foot Switch.Imp

Page 197

Quick Edits using the Sliders, Knobs and Switches51You can achieve the same effect as Basic, above, by setting Chord to Advanced, Voice Assign to

Page 198

vi About this manual The owner’s manuals and how to use them The OASYS includes two owner’s manuals:• Operation Guide• Parameter GuideBoth manuals ar

Page 199 - MIDI/Tempo Sync

Playing and editing Programs52TONE ADJUST gives you hands-on access to more detailed sound editing, using the sliders, knobs, and switches.Adjusting v

Page 200 - Common FX LFO

Quick Edits using the Sliders, Knobs and Switches537. While holding RESET CONTROLS, move first knob 1, and then knob 2.As you move the knobs, their

Page 201 - Using KARMA

Playing and editing Programs54A popup window will appear, with a long list of parameters. You can tell various things about the selections, just from

Page 202 - KARMA - Program mode

Detailed Editing with HD-1 Programs55Overview of editing pagesP0: Play is where you select and play programs, make quick edits using the Control S

Page 203

Playing and editing Programs56• All of the tabs on the Amp page, except for EQ• All of the tabs on the LFO page, except for Common LFO• The AMS Mixer

Page 204 - Performing with KARMA

Using LFOs and Envelopes (EGs)57Notice that the graphic now shows the two ranges tapering into one another. Between 80 and 100, MS2 will fade out,

Page 205 - Using the KARMA controllers

Playing and editing Programs58EGs (Envelope Generators)An envelope creates a modulation signal by moving from one level to another over a specified tim

Page 206

Controlling Pitch59AMS Mixer Amt AxB exampleSmoothingThe Smoothing Type smooths out the AMS input, creating more gentle transitions between values

Page 207

Playing and editing Programs60Pitch EGWhen the Intensity value is set to +12.00, the pitch EG specified in the Pitch EG page will produce a maximum of

Page 208

Using Filters61frequencies, its effect can change dramatically depending on the cutoff setting and the oscillator’s multisample.With low resonance

Page 209 - Parameter

vii Contents About this manual. . . . . . . . . . . . . . . . . . . . . . . vi Quick Start . . . . . . . . . . . . . . . . . . . . . .1 Quick Start .

Page 210 - KARMA function settings

Playing and editing Programs62LFO modulationYou can modulate the filter via LFO1, LFO2, and the Common LFO. Among other applications, LFO modulation of

Page 211

Using the Amp section63PanPanThe main Pan parameter controls the stereo position after the signal has passed through the oscillator, filter, and am

Page 212

Playing and editing Programs64DriveThe Drive circuit adds saturation and overdrive to the sound, for everything from subtle fattening to drastic disto

Page 213 - Dynamic MIDI setting

Effects65Vector and MIDIThe Vector features interact with MIDI in two different ways: through the Vector Joystick, and through the Vector CC Contr

Page 214

Playing and editing Programs66Automatically importing a Program into Sequence modeThe Auto Song Setup feature copies the current Program or Combinatio

Page 215

67Playing and editing CombinationsWhat’s a Combination?Combinations, or “Combis” for short, let you split and layer up to 16 Programs at once. A Combi

Page 216 - GE Real-Time Parameters

Playing and editing Combinations68Combination structure and corresponding pagesSelecting CombinationsThere are several different ways to select Combin

Page 217 - Dynamic MIDI settings

Selecting Combinations69Bank/Combination Select menu:In this illustration, bank INT-A is selected. The list on the right shows the Combinations co

Page 218

Playing and editing Combinations70Easy Combination editingChanging the Programs within the CombiChanging the Programs assigned to the 16 Timbres is a

Page 219

Combination editing71• Arpeggiation• Drum and instrument grooves• Complex CC gestures (as if it was automatically moving knobs or joysticks for yo

Page 220

viii MIDI-related settings P1: MIDI . . . . . . . . . . . . . . 149Pedal and other controller settings . . . . . . . . . . . 149Creating user scale

Page 221

Playing and editing Combinations72Resetting individual controlsThe RESET CONTROLS button lets you revert an individual knob, slider, or switch to its

Page 222

MIDI Settings731. Go to the Prog Select /Mixer page.2. Select a brass sound for Timbre 1, and a strings sound for Timbre 2.3. Go to the MIDI tab o

Page 223 - Appendices

Playing and editing Combinations74For more information, see “Force OSC Mode,” on page 361 of the Parameter Guide.OSC SelectNormally, this should be se

Page 224 - Audio input and output

Automatically importing a Combination into Sequencer mode75Total EffectsThe two Total Effects are dedicated to processing the main L/R outputs. Th

Page 225 - Programs and Combinations

Playing and editing Combinations76

Page 226

77Creating songs (Sequencer mode)Overview - About the OASYS’ sequencerThe OASYS’ sequencer can hold up to 200 songs and 400,000 MIDI events or 300,000

Page 227 - Sampling

Creating songs (Sequencer mode)78Sequencer mode page structureFor details on how to access each mode and page, see “Basic operations” on page 34.The M

Page 228 - Wave Sequences

Playing Songs Playback79Playing SongsPlaybackIn order to play back song data in the sequencer, you must first record song data, or load or dump it i

Page 229 - Disks, CDs, and USB Media

Creating songs (Sequencer mode)80way, the “mute” function allows you to silence a specified track until the track is un-muted.Press track 2 Play/Rec/Mu

Page 230 - Other problems

Playing Songs The control surface in Sequencer mode81MIX SELECT: Press these buttons to select the current track. This current track applies to the

Page 231 - CD-R/RW (Internal and USB)

1 Quick Start Quick Start The OASYS contains an amazing amount of functionality, but this Quick Start is provided for those who just want to get star

Page 232

Creating songs (Sequencer mode)82To change the registered location, use the “Set Location” page menu command. Alternatively, you can register a locati

Page 233 - Specifications and options

MIDI recording Preparations for recording83MIDI recording• You can record up to 200,000 events (e.g., notes), up to 200 songs, and up to 999 measur

Page 234

Creating songs (Sequencer mode)84Use “Program Select” (P0: Play/REC– MIDI Track Prog Select/Mixer page) to assign a program to each MIDI track.At this

Page 235

MIDI recording Recording MIDI in real-time85Saving your song parameter settingsThe song parameter settings you make here can be saved as a template

Page 236

Creating songs (Sequencer mode)86measure pre-count, and then recording will begin. Play the keyboard and move controllers such as the joystick to reco

Page 237

MIDI recording Recording MIDI in real-time871. Use “Track Select” to select the track that you want to record.2. Set the Recording Setup to Auto Pu

Page 238

Creating songs (Sequencer mode)88An example of realtime recordingIn this example, we’ll assign a drum program to MIDI Track 01 and create the followin

Page 239 - MIDI Implementation Chart

MIDI recording MIDI step recording89Input the first C3 note as . (dotted eighth note).Use the radio button at the left to select .You can choose f

Page 240

Creating songs (Sequencer mode)90Recording the sound of a Combination or ProgramHere’s how you can easily copy the settings of a Combination or Progra

Page 241 - KORG INC

MIDI recording Recording multiple MIDI tracks from an external sequencer91If you made a mistake or want to re-record, you can use the Compare funct

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