Korg SP-500 User Manual Page 56
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56
8 “Delete” button: The chord indicated by
“fi ” will be deleted.
9 “Put” button: Insert the specified chord at
the specified measure and location.
0 “Time signature” cell: Specify the time sig-
nature of the measure indicated by “fi ”.
3, 4, 5 and 6 can be input from the key-
board. To input these from the keyboard, turn
on the [ACC] switch before you press the
“Step Rec” button. If necessary, you can also
turn on the “Bass Inv.” button.
“Ctrl”: Inputting control events
You can input INTRO/ENDING, Variation,
and KBD ASSIGN settings used for auto-
matic accompaniment, and change the
rhythm style during the performance.
Input control events at the desired locations
in the same way as for the “Chord” track.
1 “Measure” cell: The event will be written
into the measure specified here.
2 “Location” cell: Specify the location within
the measure at which the event will be writ-
ten.
3 “Event type” cell: Refer to “Control event
type list”
4 “Value” cell: Refer to “Control event type
list”
5 “▲, ▼” button: Select the location.
6 “Delete” button: The event indicated by
“fi ” will be deleted.
7 “Put” button: Insert the specified control
event at the specified measure and location.
Control event type list
Let’s use step recording to input chords
When you use step recording to input the chords shown in the music below, the result will be the
list shown below right.
Input the data as described on p.55.
6
1
2
7
3
4
5
Event name Value
RhythmStyle 0 ~ 217 (☞p.78 “Rhythm style list” “No.*”)
Sty.Element Off, Var1, Var2, Var3, Var4, Int1, Int2, End1,
End2, Fil1, Fil2
Kbd Assign Full, Layer, Split, F-Mute (mutes the left-
hand keyboard for “Full”), L-Mute (mutes the
left-hand keyboard for Layer)
Bass Inv. Off, On
Transpose –11 ~ +11
Drum Mute Play, Mute
Perc Mute Play, Mute
Bass Mute Play, Mute
Acc1 Mute Play, Mute
Acc2 Mute Play, Mute
Acc3 Mute Play, Mute
Upp1 Prog. 0 ~ 411 (☞p.75 “Program list” “No.*”)
Up2/Lo Prog. 0 ~ 411 (☞p.75 “Program list” “No.*”)
Upp1 Oct. –2 ~ +2
Up2/Lo Oct. –2 ~ +2
GG7
GGEmCm6C
B7C C
Em Cm6 G D7G G
D7 G G7D
A7
M003 1:00 G /G ----
M004 3:00 G /G 7 ----
M005 1:00 C /C ----
M005 3:00 C /C m6 ----
M006 1:00 G /G ----
M007 1:00 G /G ----
M008 3:00 E /E m ----
M009 1:00 A /A 7 ----
M010 1:00 D /D ----
M011 1:00 D /D 7 ----
M012 1:00 G /G ----
M012 3:00 G /G 7 ----
M013 1:00 C /C ----
M014 1:00 B /B 7 ----
M015 1:00 C /C ----
M016 1:00 G /G ----
M017 1:00 E /E m ----
M017 2:48 C /C m6 ----
M017 3:00 G /G ----
M017 4:00 D /D 7 ----
M018 1:00 G /G ----
1 2
34 5 6 7
89 0 AB
CD E
FGHIJK
1
2
3
4
5
6
7
8
9
0
A
B
C
D
E
F
G
H
I
J
K
Measme
Location Root Bass
Type Tention
✩ I’ve Been Working Traditional
- Data handling 2
- Table of Contents 3
- Introduction 7
- 3. Main features 8
- Touch control 9
- Temperaments 9
- Pitch adjustment (Transpose) 9
- Touch-View LCD screen 9
- 4. Panel layouts 10
- Rear panel 11
- Operating panel 12
- Preparations for playing 13
- Using the music stand 14
- Turning the power on 14
- Adjusting the volume 14
- Basic operation 15
- 2. Operating panel 16
- 3. Help function 17
- Move through the pages 18
- To exit Help 18
- Demo playback 19
- Start demo playback 20
- Start the demo playback 21
- Specify the “Tempo” 21
- Playing the SP-500 23
- 2. Selecting sounds 24
- Select a program 25
- 3. Combining sounds 26
- Return to the main page 27
- Press the [SPLIT] switch 27
- Select each sound 27
- Adding Reverb to the sound 29
- Select the type of effect 30
- Starting the metronome 31
- Adjusting the tempo 32
- 6. Using pedals 33
- 7. Changing the touch 34
- Changing the program name 35
- Automatic accompaniment 37
- Selecting a rhythm style 38
- Press the [START/STOP] switch 38
- Adjusting the overall volume 40
- Muting a part 40
- 2. Various automatic 41
- Changing how you specify the 42
- Performing with an ensemble 42
- To change the variation 43
- Adding an intro 43
- Adding an ending 44
- Adding a fill 44
- 3. Using the [USER] rhythm 45
- 4. Creating a custom 46
- Custom style parameter list 47
- Recording 49
- Specify the time signature 50
- Start recording 50
- 2. Various recording 53
- Auto punch-in/out 54
- Recording) 55
- Traditional 56
- 3. Editing functions 57
- “Event Edit” page 58
- “Bounce Track” page 60
- “Insert Measure” page 60
- “Delete Measure” page 60
- “Initial Edit” 60
- Functions 63
- 2. Selecting a temperament 64
- Selecting a temperament 65
- Creating your own temperament 65
- 3. Using the pedals 66
- 4. All setup 67
- 5. Convenient functions 68
- Connecting other equipment 69
- Local on/off setting 70
- Synchronizing to an external 71
- MIDI Transpose 71
- MIDI Filter 71
- Layer and Split”) 72
- Appendices 73
- Specifications 74
- Program list 75
- ストリングスブラス /クァイア 76
- Rhythm style list 78
- Drum kits list 81
- Demo songs list 83
- List of detected chords 84
- MIDI Implementation Chart 86
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